THE CONDITION OF MUSIC: WAGNERISM AND PRINTMAKING IN FRANCE AND BRITAIN
Identifieur interne : 001149 ( Main/Exploration ); précédent : 001148; suivant : 001150THE CONDITION OF MUSIC: WAGNERISM AND PRINTMAKING IN FRANCE AND BRITAIN
Auteurs : Rachel SloanSource :
- Art History [ 0141-6790 ] ; 2009-06.
Abstract
Scholarship on the impact of Richard Wagner's music and aesthetic theories has traditionally concentrated on fin‐de‐siècle France. Aubrey Beardsley's Wagnerian prints have recently been the subject of several significant studies, but they have been examined in a British context with little reference to earlier or concurrent developments in France. This article serves as a case study of Anglo‐French artistic exchange at the fin‐de‐siècle, examining some points of interaction between Beardsley and two key French Wagnerian artists, Henri Fantin‐Latour and Odilon Redon, in order to throw more light on the complex mixture of political, social and aesthetic discourses that informed all three artists' interest in the intersection of music and the visual arts, as well as their Wagnerian pictorial languages.
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DOI: 10.1111/j.1467-8365.2009.00681.x
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